21. This type of documentary/rhetoric asks us to answer the question, 22. This t

Question

21. This type of documentary/rhetoric asks us to answer the question, 22. This type of documentary/rhetoric asks, "Who's to blame and/or 23. This type of documentary/rhetoric asks, "What should we do about What actually happened"? who should we praise"? this problem"? 24. Which of the following is NOT a possible definition of "documentaries"? a. It's a term used and accepted by organizations and institutions that promote b. It's a label that's evolved through time and has different "periods" whern c. It's a word that audiences use when they have certain expectations of a film, d. All of these are possible definitions of the word "Documentary" documentary film different kinds of documentaries were made for example, that it will be objective and tell the truth 25. Which of these are "conventions" or techniques that people have come to expect from most documentaries? a. sound that comes from a real location, not a music soundtrack b. "continuity" editing to tell a dramatic story in an invisible way c. the use of interviews for a major part of the film d. featuring real people, not actors e. all of the above are techniques found in a typical documentary 26. The "Kuleshov Effect" is a result of: a. too many edits in the film make viewers confused b. putting two different images together forces audiences to make sense of them c. using establishing shots, close-ups, and action/reaction shots to tell a story d. using too fast-paced editing that makes an audience feel uneasy or disoriented 27. Why was Vertov critical about Hollywood narrative (story) films? a. He thought they made too much money to be truly "art" b. He thought American films were too critical about Russian/Soviet films and portrayed Russian life as a bad way to live c. He thought Hollywood was stealing the best directors and actors from Russia d. He thought Hollywood films taught viewers to believe American values and to escape from their difficult lives e. All of the above

Explanation / Answer

24. I am not sure about the question.

25. (e)

26. (b) Lev Kuleshov, a Soviet filmmaker, was among the first to dissect the effects of juxtaposition. Through his experiments and research, Kuleshov discovered that depending on how shots are assembled the audience will attach a specific meaning or emotion to it.

27. (d) For Vertov, Hollywood created an artificial, illusionary world. He was interested in showing the realities of life that were hidden from normal perception.

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